I am a multi disciplinary artist from Toronto, Canada
based in Boston, Massachusetts.
I am currently pursuing a BFA at the
School of the Museum of Fine Arts at Tufts University,
and studying Computer Science at Tufts and
the Creative Computing Institute at
University of the Arts London. 





NOVEMBER 2025say it backA collection of 3 sculptural machines.


ORIENTATION LOCK 
A warp stabilizer for missed loved ones: the images rotates upright, no matter the angle or tilt.

TOUCH ID
A 12 hour day of mine in heart rate extracted from Apple Watch data export beats on rhythm.  

HAPPY TO SEE ME 
A wagging appendage greets you and waves goodbye.


Plywood, Hardware, Accelerometer, Laser Etched Cardstock



PLA, Acrylic, Hardware, CircuitPy, Rhino3D,
12 hour loop’


Acrylic, Hardware, Cardboard, Scar Tape, Rhino3D, OpenCV


APRIL 2025Companion for Anti Social Sexual Individuals
(CASSI)
CASSI is a Companion for Anti Social-Sexual Individuals

CASSI runs on a neural network, a fine-tuned version of the ResNet50 CNN, trained with 2000-4000 images of synthetic faces as well as celebrity face datasets, organized into the painfully strict categories of “yes” and “no”, the question of attractiveness.

The model is able to identify faces I would deem attractive to an 80-90% accuracy. With a built in camera, live video uses OpenCV to detect faces and send them to the model for judgement. Then, serial data is sent to an arduino, attached to a circuit that lights the robot’s face to indicate yes or no.
3D printed PVA, synthetic hair, cardboard, scar tape, Jetsen Nano with RP Camera

Data from thispersondoesnotexist.com and Kaustubh Dhote’s face dataset

Python & TensorFlow and PyTorch


JUNE 2025don’t judge me
GitHub
Anne Anlin Cheng, in her review of ‘Ghost in the Shell’ (2017), writes that “Freud told us that the most unsettling effects for human ontology is to be confronted by a machine that comes to life… What happens to the human element when the brain gets reduced to a series of electrical impulses, and, conversely, along a more sentimental line, can machines have feelings, too?” (Cheng, 129). I am constantly fascinated by the idea of the “ghost in the machine”, the empathy we project upon tech, and the things that make us sentient.

I was heavily inspired by Joseph Weizenbaum’s Eliza, considered to be the first ever chatbot, communicating using keywords, patterns and substitutions, long before the existence of Language Learning Models. I decided to take these ideas and create the saddest chatbot in the world. I was interested in seeing the lengths and limits of fabricating a smooth conversationalist without using a complete LLM. I also wanted to incorporate more contemporary ideas and methods into the creation.

Python and Natural Language Toolkit (NLTK)

Parsed and edited responses scraped from r/depression, r/comfort and r/askphilosophy.

APRIL 2023mom 
and i 
The work is a collage of oil painting and AI-fabricated images. This piece is a study of familial relationships, lost histories, cultural memory, and maternal connection, through the fabrication of those things with technology, artificial intelligence, and the internet.

I found it interesting that the AI, when fed things like my familial names, and words like “mother”, “daughter”, “woman” , or “man”, would return such fascinating images. Among flowers, images of women, morphed bodies, and faces, three things especially stood out.

First, the images often seemed to attempt at imitating the Korean geographic landscape, and second, traditional patterns or fabrics. But thirdly, these images just as often included images that imitated war, or military, without any mention of the words. In line in significance, and shown adjacent with physical geography and traditional fabric was militarization in this cultural consciousness.

Oil Paint and Collage on Paper
Mounted to Cardstock and Wood Frame
12’ x 8’

2023/2024Video Installationi could only exist in (2023)

I always joke that I am a person who could only exist in 2023. With my recent works, I feel that I am reaching out to explore what it means to explore or define an identity which is unprecedented. Without the limitations or fear of narcissism, or self-centeredness, I have decided to deeply indulge with what exactly it means to be someone that has maybe never existed, obviously literally but also racially and culturally. This is of course not a scientific statement, more a more intimate and serious examination of the self-satirization of my exoticized, mixed Asian American identity. 




DISEUSE (2024)  

“there was no displacing death, there was no overcoming without the actual dying. She says to herself if she were able to write she could continue to live.” -Dictée (1982), page 141
The struggle to exist in such a confusing world, the search over and over for whatever one is looking for. Cha wrote words and created images and sequences with this craving evident, with care and a passionate love for creating, communicating and living and feeling intensely.
I mean not to martyr cha or make her death a metaphor because it is not. She did not die willingly. Rather I hope to honour her work and intentions as a Korean American artist 40-50 years later, who sees deep similarities in our condition even in a world that seems worlds away from hers


multi-media animated 5 channel video installation
Adobe Animate, Adobe After Effects, TouchDesigner

multimedia animated 4 channel video installation (9 minute loop)
Adobe Animate, Adobe After Effects




2024They’ll definitely remember your efforts Truths, lies and fabrication come together to create a world that has never existed.
Mixed Media Animated Film
Adobe Animate, Dragon Frame, Adobe After Effects, FCP
9 minutes 55 seconds
 

2025Web Design
Freelance web development:

tontonmatcha.com 

artbyhanson.com

HTML, Node, TypeScript React
CIRRICULUM VITAE Education

2022-Current: School of the Museum of Fine Arts at Tufts University,
Bachelor of Fine Arts, Min. Computer Science

2024-2025: Creative Computing Institute at University of Arts London
Bachelor of Science, Creative Computing

Group Exhibition and Film Festivals

2025

2025 Episodic Sculpture: Julia Yoo- Boston, MA, USA

2024 2x2x2 Group Show at the Cooper Union- New York, NY, USA

2024 TIFF Creators on a Wave: Alumni Showcase- Toronto, Canada

2024 Tufts Summer Scholars Research Symposium- Medford, MA

2024 SOAK CITY: 800 King Gallery Showcase- Toronto, Canada

2024 Award Winners Show: the Well Gallery- Boston, MA, USA

2024 Tufts University South Asian Political Action Committee Symposium- Medford, MA, USA

2024 RESONANCE SOUND & VIDEO SHOWCASE - Medford, MA, USA

2024 Finalfinalfinalforrealfinal.mov: Film Showcase- Medford, MA, USA

2023 School of the Museum of Fine Arts: FALL Film, Video, and Animation Showcase- Boston, MA, USA

2023 Student World Impact Film Festival- New York, NY, USA

2023 EMERGE 15th Anniversary Exhibition at the Institute of Contemporary Art- Boston, MA, USA 

2023 Plunge: Curated Self at Brookline Arts Center- Brookline, MA, USA

2023 School of the Museum of Fine Arts: Renew, Refresh, and Rejuvenate- Boston, MA, USA

2023 School of the Museum of Fine Arts: SPRING Film, Video, and Animation Showcase- Boston, MA, USA

2022 ESA Grad Gala Film Showcase at the Revue Cinema- Toronto, Canada 

2022 Etobicoke Fashion Show at Innis Townhall Theatre- Toronto, Canada 

2022 Art Gallery of Ontario: I AM HERE: Home Movies and Everyday Masterpieces Exhibition- Toronto, Canada

2022 TIFF Young Creators Showcase- Toronto, Canada

2021 Albright Knox Teens Future Curators- Buffalo, NY, USA

2021 LoosenArt: Decontexts- Rome, Italy

2021 Art Gallery of Ontario: Portraits of Resilience Online Exhibition- Toronto, Canada

2021 Archer Film Festival (Finalist): Quarantine Edition- Los Angeles, California, USA

2021 Super International Teenager Film Festival- Bucharest, Romania 

2021 Systems of Collision, Neilson Park Creative Centre- Toronto, Canada

2020 Philadelphia Youth Film Festival- Philadelphia, PA, USA

Awards

2024 Tufts Summer Scholars Research Grant

2024 Edward Cincotti Prize for Video

2022 W.L Gordon James Award- Etobicoke School of the Arts 

2022 Shaftesbury Film: Best in Show, Senior

2021 Magenta Foundation Flash Forward Incubator Program

2021 Scholastic Art and Writing Silver Key

Group Curation

2019-2022 TIFF Next Wave Committee

2020-2022 TIFF Next Wave Film Festival- Toronto, Canada

2019-2022 Toronto International Film Festival Next Wave Tags- Toronto, Canada

Publications

2024 Fall JUMBO Magazine:  From Classroom to Conversation

2022 Moody the Zine, Issue 16

2021 Ultraviolet Magazine

2022 TIFF.NET Me and Earl and the Dying Girl, SLASH/BACK, My Name is Baghdad, Children of the Sea

2021 Flash Forward Incubator- Still Life Catalogue


Interviews, Press, Media, Artist Talks

2024 TIFF Creators on a Wave: Filmmakers Panel, Toronto, Canada

2024 JUMBO Magazine- Featured Interview w/ Jennie Jieun Lee

2022 Young Creators Co-Lab- In Conversation With Emily Cohn: Host

2022 TIFF Share Her Journey Panelist, Toronto, Canada

2022 CBC KIDS Festival Interview, Toronto, Canada

2021 TIFF Insider’s Event Programmer’s Talk, Toronto, Canada

2021 Off the ChARTS Podcast Artist Feature

2021 US Gallery Contemporary Artist Interview

2021 CTV Your Morning Next Wave Festival Interview

2021 TIFF IG LIVE Conversation with Rachel Sennott: Host

2020 TIFF IG LIVE Conversation with Emma Seligman: Host

2020 Artery Next Wave Community Hangout Art Talk Feature

2020 CBC Here and Now Live Radio for TIFF Next Wave Interview

2019 CP24 TIFF Interview, Toronto, Canada

 2029 All Rights Reserved